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	<title>Comments on: Sartaj, Again</title>
	<link>http://indianwriting.blogsome.com/2006/07/29/sartaj-again/</link>
	<description>"That was the beginning of the century; this is its end. I have been thinking not only of the people who lived there once, but also of the generations of dogs accompanying them in their everyday bustle, and one night— I don't know where it came from— in a predawn sleep, that funny and tender phrase composed itself: a road-side dog." - Czeslaw Milosz, Borderlines.</description>
	<pubDate>Mon, 09 Nov 2009 04:26:59 +0000</pubDate>
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		<title>by: Dahlia Sen</title>
		<link>http://indianwriting.blogsome.com/2006/07/29/sartaj-again/#comment-322</link>
		<pubDate>Tue, 29 Aug 2006 14:05:42 +0100</pubDate>
		<guid>http://indianwriting.blogsome.com/2006/07/29/sartaj-again/#comment-322</guid>
					<description>In this recent interview with the Hindustan Times, I was very intrigued to read that Chandra listens to music while writing. He has extremely good taste in music....
&lt;blockquote cite=&quot;&quot;&gt;
&lt;strong&gt;Going for the kill&lt;/strong&gt;&lt;strong&gt;

Aditya Sinha

New Delhi, August 27, 2006

Vikram Chandra listens to Hindi film music while he writes. And considering it took him over seven years to write his latest novel, Sacred Games, a 900-page thriller that has propelled him to the pantheon of Indian writing, he must have heard a lot of songs.

No wonder, then, the main characters in Sacred Games are often singing or humming a tune, whether it is Inspector Sartaj Singh (Main zindagi ka saath nibhaata chala gaya) or the Hindu don Ganesh Gaitonde (Chala jaata hoon kisi ki dhun me, dhadakte dil ke tarane liye).

&lt;/strong&gt;&lt;strong&gt;And no wonder then, while strolling through the cramped lanes of Delhi’s Nizamuddin, when you decide to play a parlour game and suddenly ask him what five songs he’d like played at his funeral, he pauses and says: “One by Kishore Kumar, one by Mohd Rafi, and one by Mukesh,” adding that any song by each would do. Number four: “A hiphop artist in the States, the1shanti, he’s Indian… he actually read Love and Longing in Bombay (Vikram’s collection of short stories) and did a song of the same title on his album Indian Bambaataa.” And last? “It’s not really a song, but Harivanshrai Bachchan’s poem, Madhushala.”...&lt;/strong&gt;&lt;strong&gt;&lt;blockquote cite=&quot;&quot;&gt;&lt;/blockquote&gt;&lt;/strong&gt;&lt;/blockquote&gt;</description>
		<content:encoded><![CDATA[	<p>In this recent interview with the Hindustan Times, I was very intrigued to read that Chandra listens to music while writing. He has extremely good taste in music&#8230;.</p>
	<blockquote cite=""><p>
<strong>Going for the kill</strong><strong></p>
	<p>Aditya Sinha</p>
	<p>New Delhi, August 27, 2006</p>
	<p>Vikram Chandra listens to Hindi film music while he writes. And considering it took him over seven years to write his latest novel, Sacred Games, a 900-page thriller that has propelled him to the pantheon of Indian writing, he must have heard a lot of songs.</p>
	<p>No wonder, then, the main characters in Sacred Games are often singing or humming a tune, whether it is Inspector Sartaj Singh (Main zindagi ka saath nibhaata chala gaya) or the Hindu don Ganesh Gaitonde (Chala jaata hoon kisi ki dhun me, dhadakte dil ke tarane liye).</p>
	<p></strong><strong>And no wonder then, while strolling through the cramped lanes of Delhi’s Nizamuddin, when you decide to play a parlour game and suddenly ask him what five songs he’d like played at his funeral, he pauses and says: “One by Kishore Kumar, one by Mohd Rafi, and one by Mukesh,” adding that any song by each would do. Number four: “A hiphop artist in the States, the1shanti, he’s Indian… he actually read Love and Longing in Bombay (Vikram’s collection of short stories) and did a song of the same title on his album Indian Bambaataa.” And last? “It’s not really a song, but Harivanshrai Bachchan’s poem, Madhushala.”&#8230;</strong><strong><br />
<blockquote cite=""></blockquote>
</strong></p></blockquote>
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		<title>by: Dahlia Sen</title>
		<link>http://indianwriting.blogsome.com/2006/07/29/sartaj-again/#comment-321</link>
		<pubDate>Tue, 29 Aug 2006 14:03:31 +0100</pubDate>
		<guid>http://indianwriting.blogsome.com/2006/07/29/sartaj-again/#comment-321</guid>
					<description>In this recent interview with the Hindustan Times, I was very intrigued to read that Chandra listens to music while writing. He has extremely good taste in music....
&lt;blockquote cite=&quot;&quot;&gt;
&lt;strong&gt;Going for the kill&lt;/strong&gt;&lt;strong&gt;

Aditya Sinha

New Delhi, August 27, 2006

Vikram Chandra listens to Hindi film music while he writes. And considering it took him over seven years to write his latest novel, Sacred Games, a 900-page thriller that has propelled him to the pantheon of Indian writing, he must have heard a lot of songs.

No wonder, then, the main characters in Sacred Games are often singing or humming a tune, whether it is Inspector Sartaj Singh (Main zindagi ka saath nibhaata chala gaya) or the Hindu don Ganesh Gaitonde (Chala jaata hoon kisi ki dhun me, dhadakte dil ke tarane liye).

&lt;/strong&gt;&lt;strong&gt;And no wonder then, while strolling through the cramped lanes of Delhi’s Nizamuddin, when you decide to play a parlour game and suddenly ask him what five songs he’d like played at his funeral, he pauses and says: “One by Kishore Kumar, one by Mohd Rafi, and one by Mukesh,” adding that any song by each would do. Number four: “A hiphop artist in the States, the1shanti, he’s Indian… he actually read Love and Longing in Bombay (Vikram’s collection of short stories) and did a song of the same title on his album Indian Bambaataa.” And last? “It’s not really a song, but Harivanshrai Bachchan’s poem, Madhushala.”...&lt;/strong&gt;&lt;strong&gt;&lt;blockquote cite=&quot;&quot;&gt;&lt;/blockquote&gt;&lt;/strong&gt;&lt;/blockquote&gt;</description>
		<content:encoded><![CDATA[	<p>In this recent interview with the Hindustan Times, I was very intrigued to read that Chandra listens to music while writing. He has extremely good taste in music&#8230;.</p>
	<blockquote cite=""><p>
<strong>Going for the kill</strong><strong></p>
	<p>Aditya Sinha</p>
	<p>New Delhi, August 27, 2006</p>
	<p>Vikram Chandra listens to Hindi film music while he writes. And considering it took him over seven years to write his latest novel, Sacred Games, a 900-page thriller that has propelled him to the pantheon of Indian writing, he must have heard a lot of songs.</p>
	<p>No wonder, then, the main characters in Sacred Games are often singing or humming a tune, whether it is Inspector Sartaj Singh (Main zindagi ka saath nibhaata chala gaya) or the Hindu don Ganesh Gaitonde (Chala jaata hoon kisi ki dhun me, dhadakte dil ke tarane liye).</p>
	<p></strong><strong>And no wonder then, while strolling through the cramped lanes of Delhi’s Nizamuddin, when you decide to play a parlour game and suddenly ask him what five songs he’d like played at his funeral, he pauses and says: “One by Kishore Kumar, one by Mohd Rafi, and one by Mukesh,” adding that any song by each would do. Number four: “A hiphop artist in the States, the1shanti, he’s Indian… he actually read Love and Longing in Bombay (Vikram’s collection of short stories) and did a song of the same title on his album Indian Bambaataa.” And last? “It’s not really a song, but Harivanshrai Bachchan’s poem, Madhushala.”&#8230;</strong><strong><br />
<blockquote cite=""></blockquote>
</strong></p></blockquote>
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