Muse India

August 8, 2006

This is an old draft that was waiting to be converted into a post. Muse India is a quarterly literary journal that I discovered only recently. I love the regular focus on the literature of a different region. So far they have covered Marathi poetry and Kannada, Kashmiri, Bengali, Punjabi, Oriya and modern Hindi literature.

Here’s Bhisham Sahni in conversation with Sukrita Paul Kumar:

Many people were for the struggle for freedom but the lower middle class people had a role peculiar of their own. They had no personal ambitions. They did not have any ambitions of becoming leaders even during the freedom period or after the freedom was won. They came from backgrounds which was poor. I think of a carpenter, a Sardarji, who was not very healthy. His main job used to be that whenever a jalsa of the Congress was organised before freedom, he was to sing songs with his harmonium and attract the audience. He was neither a singer nor anybody. He could only say witty things and make people laugh. The man had been to jail several times. He was ill and poor and yet there was a certain commitment…
Go browse.

A Walk in the Park

On Sunday mornings, we take our dog to Priyadarshini Park. We leave early, while the pavement fruitsellers at Breach Candy are still stacking their display crates, polishing their apples and sorting their many-coloured ware. Plums, peaches, cherries, lichees, jamun, apart from the usual orange-mosambi-papaya - they arrange it all carefully, like a Klee painting coming alive.

Nariyals are sweetest at the Welcome Tender Coconut Stall where the signboard reads, accurately: “A Coconut a Day Keeps the Doctor Away.” My husband’s usual is a patla malai; mine is a pani. As we drink, the morning truck arrives with the day’s supply of what else but more tender coconuts.

We proceed into Nepean Sea, past old buildings - one declared dangerous for habitation - and older trees. On this sea-facing road, many of the buildings are obscured under blue plastic sheets or scaffolding: pre-monsoon repairs running predictably late. Other walls are patinaed with moss.

There is no pavement on this stretch. We’re walking on the road itself. A flower seller passes us, waving his anthuriums in a graceful Tendulkar square drive. His business is at the traffic signal. Three men sit on the ground, cleaning kurmura, while Woh Lamhe plays on FM in a remix that is delicious but incongruously frenzied for this Sunday morning.

But around us, car cleaners are already at work. Contemporary Arts is still shut; so is Sweet Bengal, unlike its cousins in Kolkata who would be offering hot jalebis and shingaras by now.

Priyadarshini Park has everything: religion, handball, laughter, the seashore. Dark striated rocks, long thin waves. Palm trees, samudraphal, and bougainvillea. Grass, tracks, stone benches, and a Eureka Forbes stall dispensing cold water. Tea, coffee, Art of Living classes, and a yoga class that reminds you to “put life in your years rather than years in your life.”

The ones who sit in the distance, silent and still are the young lovers. The rest are in movement: athletes, joggers, walkers, strollers. Celebs, metrosexuals, mirls, pretty girls. Some walk, others talk. A man with a cleavage does a stretch and promptly has a wardrobe malfunction. One group of people is learning to breathe while another group is laughing in unison. Below us, a street-dweller washes his clothes on the rocks.

Pets, handlers and friendly strays congregate in the middle of the park. It’s easy to introduce your dog at these parties. “Kaatega?” I ask about a curious Basset. “Nahin, darpok hai,” laughs the handler. “Mera bhi darpok hai,” I say, relieved, and let go of Whisky’s leash.

PDP is a community. Here, friendships are made, marriages arranged, deals struck. Stocks and sasuraals, discussed and dissed, all in the same breath. “1200 fucking crores.” “The fundamentals are good.” “Bahut acchi ladki hai.” “In-laws, out-laws, I tell you.”

An elderly gentleman bends down to pat my dog, who promptly hugs him back. “He likes humans better than dogs,” I explain, embarrassed.

“Well, I like dogs better than humans,” replies the gentleman before setting off on his solitary walk along the windswept seashore.

—–
(in the Mumbai Mirror, July 2005)

Budhia Singh, Five Years Old

Amelia Gentleman meets the boy runner:

When Budhia and I meet in Delhi he is on his way home after collecting a Little Star achievement award from a new private school in Rajasthan, where pictures of him sitting on a camel, dressed in Rajasthani costumes, were printed in local newspapers, bringing in useful advertising for the school.

His trainer, Biranchi Das, will not say whether he was paid for the boy’s appearance at the school. Nor will he discuss Budhia’s various advertising contracts, which seem to be on hold while the court decides his fate. If he is exploiting Budhia for financial gain, he is either very bad at it or extremely parsimonious. He is certainly not spending the money on hotels. The only expensive item in the room is a tiny pair of silver-and-lime-green child’s trainers, lying among a heap of cheap adult-sized plastic flip-flops.

Here’s Dileep Premachandran on other young hopefuls:
The girl who was rejected at a hockey training camp — “Everyone made fun of me because I’m short, but I was determined to do something in sportsâ€? — now says she can be an international marathon star. Apart from Budhia, there is someone else she looks up to. PT Usha, India’s greatest athlete, grew up in a nondescript village in coastal Kerala, was peerless on the Asian stage and went on to miss a bronze by 0.01 sec in the 400m hurdles at the Los Angeles Olympics in 1984…

The New Neanderthal

Sharanya points me to this offensive piece by Nirpal Dhaliwal. It’s a version of the usual Manliness stuff that’s been going for some time now, but the thing about Dhaliwal is that he leaves no stone unturned in his quest to… return to the Stone Age. His perspectives on relationships are presented in terms of exactly two letters of the alphabet, alpha and omega.

Last Christmas, my wife threw me out after discovering I’d been cheating on her. On the night we got back together, I made strong, passionate love to her. Unfaithful as I’d been, I was not going to let her have me over a barrel for the rest of our marriage. I needed to keep a sense of self and not allow her to mire me in guilt and a desperate quest of forgiveness….

I am a very difficult man to be with. I know I have caused my wife great pain and anxiety. But she is an adult, and ultimately it is wholly her choice whether she wants to be with me or not - I cannot be anyone other than myself.

Such self-knowledge. I tell you. And here’s another one of Dhaliwal’s attention-seeking efforts from the Times.

The New Gender Divide…

…is just the Old Gender Divide - getting narrower. Even if the NYT would have us think otherwise. It’s a fairly blah trend piece about more men without college degrees apparently remaining unmarried. I like this sentence: “There is no conclusive evidence that marriage helps men.”

K-Jo understands your psyche…

pretty scary, that.

What after the couple walks into the sunset? That is what Johar attempts to explore here with his take on modern day relationships.

Johar is definitely treading an unknown path with the film, which has all his favourite stars — Amitabh and Abhishek Bachchan, Shah Rukh Khan, Rani Mukerji and Preity Zinta. The risks are high, but trade pundits say Johar understands the psyche of his viewers and his rather unusual film won’t disappoint them.

Laugh And The World Laughs With You…

No one feels sad or is allowed to feel sad, any more. We are a country constantly in need of uppers, ignoring even the bad news. Our filmmakers and the media, understand that, and have airbrushed melancholia out. Kishore Kumar would have been a perfect fit in today’s world. But only one part of him, the part we like to remember. The Kishore Kumar singing ‘Koi Hamdam Naa Raha’ or ‘Dukhi Man Mere’ would have been out of work very soon.

Siddharth Bhatia, writing in DNA, wonders where the sadness has gone.

Here’s one of my favourite Kishore Kumar songs, from Amar Prem:

chingaaree koee bhadake, to saawan use buzaaye
saawan jo agan lagaaye, use kaun buzaaye?
patazad jo baag ujaade, wo baag bahaar khilaaye
jo baag bahaar mein ujade, use kaun khilaaye?

hum se mat poochho kaise, mandir tootaa sapanon kaa
logon kee baat naheen hai, ye kissaa hain apanon kaa
koee dushman thhens lagaaye, to meet jiyaa bahalaaye
manameet jo ghaanw lagaaye, use kaun mitaye?

naa jaane kyaa ho jaataa, jaane hum kyaa kar jaate
peete hain to jindaa hai, naa pite to mar jaate
duniyaa jo pyaasaa rakhe, to madiraa pyaas buzaaye
madiraa jo pyaas lagaaye, use kaun buzaaye?

maanaa toofaan ke aage, naheen chalataa jor kisee kaa
maujon kaa dosh naheen hai, ye dosh hain aaur kisee kaa
mazadhaar mein naiyyaa dole, to maanzee paar lagaaye
maanzee jo naaw dooboye use kaun bachaaye?

(Courtesy Hindilyrix)