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	<title>Comments on: Flowers</title>
	<link>http://indianwriting.blogsome.com/2007/03/25/flowers/</link>
	<description>"That was the beginning of the century; this is its end. I have been thinking not only of the people who lived there once, but also of the generations of dogs accompanying them in their everyday bustle, and one night— I don't know where it came from— in a predawn sleep, that funny and tender phrase composed itself: a road-side dog." - Czeslaw Milosz, Borderlines.</description>
	<pubDate>Mon, 02 Nov 2009 09:39:48 +0000</pubDate>
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		<title>by: vivek v joshi</title>
		<link>http://indianwriting.blogsome.com/2007/03/25/flowers/#comment-1420</link>
		<pubDate>Tue, 15 Jan 2008 10:27:08 +0000</pubDate>
		<guid>http://indianwriting.blogsome.com/2007/03/25/flowers/#comment-1420</guid>
					<description>this is a very different exploration in the psyche of the said upperpicked. need to persue.</description>
		<content:encoded><![CDATA[	<p>this is a very different exploration in the psyche of the said upperpicked. need to persue.
</p>
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		<title>by: Srikanth</title>
		<link>http://indianwriting.blogsome.com/2007/03/25/flowers/#comment-1158</link>
		<pubDate>Sat, 16 Jun 2007 10:08:07 +0100</pubDate>
		<guid>http://indianwriting.blogsome.com/2007/03/25/flowers/#comment-1158</guid>
					<description>.....................
&quot;Why in Art, this obssession with baser instincts of man? I am not a prude and have a very high regard for Girish Karnad. Can we not go beyond the female flesh?&quot;
..................

That's the whole point! 
Nothing is base or noble in art, unless personal emotions and perceptions are ascribed to an act, thought, idea or object.
It's not about female flesh but more about the treatment of the subject. It's about a metaphor for temptation, in it's most basic form, and how naked [in some cases, literally] we can get in examining an issue or a concept.
Hard as one might try, to evade the primal and to don the garb of vain sophistication, we merely touch the reflection of a truth, not the truth itself. The human has not become an 'evolved' being because of the superficial accretions brought upon by 'civilization'. 
For e.g. you, Mahadevan, are not rendered any more 'decent' than another man just because you express a distaste for 'baser instincts'. I'd say you just have an incomplete and unhealthy notion of our primeval instincts, of nakedness in general. Or perhaps you are shy to admit in public that you are such a slave to it. So either you are expressing a flawed perception that has been force-fed by the world (which, surely, is not your fault at all) or you are merely trying to gain [probably female] approval by expressing thus.

The artist merely questions [our relationship with] the real self and the space that has come to exist between. So it's better to get to the core and examine human values there, than to beat around with ornamental fluff, which can be mildly entertaining yet prove no real purpose in the end.

Take your pick.

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		<content:encoded><![CDATA[	<p>&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<br />
&#8220;Why in Art, this obssession with baser instincts of man? I am not a prude and have a very high regard for Girish Karnad. Can we not go beyond the female flesh?&#8221;<br />
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;</p>
	<p>That&#8217;s the whole point!<br />
Nothing is base or noble in art, unless personal emotions and perceptions are ascribed to an act, thought, idea or object.<br />
It&#8217;s not about female flesh but more about the treatment of the subject. It&#8217;s about a metaphor for temptation, in it&#8217;s most basic form, and how naked [in some cases, literally] we can get in examining an issue or a concept.<br />
Hard as one might try, to evade the primal and to don the garb of vain sophistication, we merely touch the reflection of a truth, not the truth itself. The human has not become an &#8216;evolved&#8217; being because of the superficial accretions brought upon by &#8216;civilization&#8217;.<br />
For e.g. you, Mahadevan, are not rendered any more &#8216;decent&#8217; than another man just because you express a distaste for &#8216;baser instincts&#8217;. I&#8217;d say you just have an incomplete and unhealthy notion of our primeval instincts, of nakedness in general. Or perhaps you are shy to admit in public that you are such a slave to it. So either you are expressing a flawed perception that has been force-fed by the world (which, surely, is not your fault at all) or you are merely trying to gain [probably female] approval by expressing thus.</p>
	<p>The artist merely questions [our relationship with] the real self and the space that has come to exist between. So it&#8217;s better to get to the core and examine human values there, than to beat around with ornamental fluff, which can be mildly entertaining yet prove no real purpose in the end.</p>
	<p>Take your pick.
</p>
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		<title>by: umesha</title>
		<link>http://indianwriting.blogsome.com/2007/03/25/flowers/#comment-1156</link>
		<pubDate>Thu, 14 Jun 2007 07:55:41 +0100</pubDate>
		<guid>http://indianwriting.blogsome.com/2007/03/25/flowers/#comment-1156</guid>
					<description>Mallige Vs Kakada</description>
		<content:encoded><![CDATA[	<p>Mallige Vs Kakada
</p>
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		<title>by: umesha</title>
		<link>http://indianwriting.blogsome.com/2007/03/25/flowers/#comment-1155</link>
		<pubDate>Thu, 14 Jun 2007 07:24:58 +0100</pubDate>
		<guid>http://indianwriting.blogsome.com/2007/03/25/flowers/#comment-1155</guid>
					<description>You have saved my time and money , as clearly told , english version of FLOWER would have lost its essence , it will imitation of Mallige by KAKADA flower , if you know Kannada you will understand my point</description>
		<content:encoded><![CDATA[	<p>You have saved my time and money , as clearly told , english version of FLOWER would have lost its essence , it will imitation of Mallige by KAKADA flower , if you know Kannada you will understand my point
</p>
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		<title>by: Anil</title>
		<link>http://indianwriting.blogsome.com/2007/03/25/flowers/#comment-841</link>
		<pubDate>Thu, 29 Mar 2007 00:42:14 +0100</pubDate>
		<guid>http://indianwriting.blogsome.com/2007/03/25/flowers/#comment-841</guid>
					<description>I haven't seen Tuglaq, but read it, and couldn't believe at first that Karnad could bring it to life the way he did with those dialogs. Then I read it again.</description>
		<content:encoded><![CDATA[	<p>I haven&#8217;t seen Tuglaq, but read it, and couldn&#8217;t believe at first that Karnad could bring it to life the way he did with those dialogs. Then I read it again.
</p>
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		<title>by: Mahadevan</title>
		<link>http://indianwriting.blogsome.com/2007/03/25/flowers/#comment-833</link>
		<pubDate>Mon, 26 Mar 2007 11:19:10 +0100</pubDate>
		<guid>http://indianwriting.blogsome.com/2007/03/25/flowers/#comment-833</guid>
					<description>Why in Art, this obssession with baser instincts of man? I am not a prude and have a very high regard for Girish Karnad. Can we not go beyond the female flesh ?  </description>
		<content:encoded><![CDATA[	<p>Why in Art, this obssession with baser instincts of man? I am not a prude and have a very high regard for Girish Karnad. Can we not go beyond the female flesh ?
</p>
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		<title>by: B</title>
		<link>http://indianwriting.blogsome.com/2007/03/25/flowers/#comment-830</link>
		<pubDate>Mon, 26 Mar 2007 03:42:05 +0100</pubDate>
		<guid>http://indianwriting.blogsome.com/2007/03/25/flowers/#comment-830</guid>
					<description>The setting seems very similar to U R Anathamurthy's Samskara. are there more connections between the two?</description>
		<content:encoded><![CDATA[	<p>The setting seems very similar to U R Anathamurthy&#8217;s Samskara. are there more connections between the two?
</p>
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